#Behind the mask movie series
In early stories, the character was referred to as Big Head it was not until the films and television series that the character became known as The Mask. The title of the comic book originally referred to the mask itself and not the character it unleashed. The Mask also shares similarities with Deadpool such as both of them started out as villains, but become comedic anti-heroes who are friends with children and hates innocent people being hurt or injured. Stanley Ipkiss and his alter-ego The Mask have similarities to Spider-Man such as he and Peter Parker are both unlucky everyday people, but their alter-egos Spider-Man and The Mask are confident and snarky superheroes. The same is true of the 2005 sequel's main character Tim Avery, who is named after Tex Avery. In the 1994 film and the animated series, the Mask was toned down to make it only as dangerous as its wearer the main character Stanley Ipkiss is depicted as a nice guy, and his alter-ego The Mask is a mischievous trickster but a good-hearted superhero. In the original comics, Stanley Ipkiss wears the mask and becomes a villain other characters who later wore the Mask became, regardless of their intentions in donning it, cruel antiheroes or murderous, vengeful villains with ultra-violent tendencies.
The character was inspired by a combination of the Joker and Steve Ditko's version of the Creeper, as well as Dr. The mask affects the wearer's personality by removing all social and moral inhibitions, causing the wearer to become insane. The stories of The Mask revolve around a magical mask which bestows on its wearer reality-bending powers and an altered appearance, characterized by a large set of teeth and a green head.
#Behind the mask movie movie
The series tells the story of a supernatural mask that grants its wearers nearly limitless power, often at the cost of their sanity. Its artists include Mark Badger, Chris Warner and Keith Williams. The Mask is a comic book series created by Doug Mahnke and John Arcudi and published by Dark Horse Comics. Shapeshifting (can appear as any person).Granting desires at the loss of the moral center except for those who have a good heart.Interdimensional travel and time travel.Enhanced super strength, endurance, reflexes, agility and stamina.Nigh- Omniscience at the loss of sanity, inhibitions, and self-control, except for those who still have self-control despite the loss of the two above.Invulnerability (except removing the Mask).Psionic abilities such as telekinesis, telepathy, astral projection, and precognition.Time, matter and energy manipulation and creation.BEHIND THE MASK will remain watchable for fans of the genre but I think they'll realize that there's not much going on here. The supporting players are mostly forgettable, although no one is so bad to where they ruin the film. I'm not sure if he just wasn't interested in the part or perhaps the screenplay just didn't excite him enough to give it more of a push. Richmond really isn't all that energetic or charismatic in the role of The Saint. The supporting characters are just annoying and especially the assistant's girl who is written as that dumb blonde that gets on everyone's nerves. Yes, a mixture of comedy and mystery can be good but not when the jokes fall so flat. Another problem is that there's way too much comic stuff.
It certainly doesn't help matters that Cranston is such a boring character that the viewer can never really connect with or really care about what happens to. I think a lot of the problem goes to the screenplay, which is just rather routine as there's nothing in it that really separates this from the countless other films like it. There's no question that the material here is more second rate than anything else and in the end this just isn't a very memorable movie. Every studio during this era had a mystery fighter on their hands and The Shadow belonged to Monogram, which should tell you just about everything you need to know. The alter ego Lamont Cranston (Kane Richmond) must prove that The Saint wasn't the murderer and find the real one.
In this film, a sleazy news reporter is murdered and everyone thinks The Shadow was behind it. Behind the Mask (1946) ** (out of 4) Phil Karlson directed this second entry in "The Shadow" series.